Walter Benjamin on Kafka’s Work: an Unfinished Interpretation
Keywords:
capitalism, myth, history, narrative, experienceAbstract
This article addresses Walter Benjamin’s interpretation of Kafka’s work with a twofold aim: first, to argue that its main value lies in the way it helps illuminate the problems and themes that shape Benjamin’s thought; and second, to explain its unfinished character in light of the evolving concerns that run through his writings. From this perspective, the article traces the connections between Benjamin’s texts on Kafka and some of his most emblematic works, grounding the analysis in a hermeneutic approach that highlights how these texts reflect his understanding of modern society as intrinsically bound up with the capitalist mode of production. Within this framework, the discussion focuses on: (1) what Benjamin identifies as the object of Kafka’s work, located in the distortions of human existence brought about by capitalism; (2) the way this object intersects with the themes of guilt, forgetting, and remembrance; and (3) the problematic status of Kafka’s narrative forms. The article concludes by turning to those aspects of Benjamin’s legacy that make clear the unfinished character of his exegesis of Kafka’s literature.
Downloads
References
BENJAMIN, Walter (1976): Briefe, hg. G. Scholem – T. Adorno, Frankfurt: Suhrkamp (citado como Br).
BENJAMIN, Walter (1991): “Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit”, en Gesammelte Schriften. Band I-2, hg. R. Tiedemann – H. Schweppenhäuser, Frankfurt: Suhrkamp, pp. 431-508 (citado como GS I-2a).
BENJAMIN, Walter (1991): “Das Paris des Second Empire bei Baudelaire”, en Gesammelte Schriften. Band I-2, hg. R. Tiedemann – H. Schweppenhäuser, Frankfurt: Suhrkamp, pp. 511-604 (citado como GS I-2b).
BENJAMIN, Walter (1991): “Über einige Motive bei Baudelaire”, en Gesammelte Schriften. Band I-2, hg. R. Tiedemann – H. Schweppenhäuser, Frankfurt: Suhrkamp, pp. 605-653 (citado como GS I-2c).
BENJAMIN, Walter (1991): “Über den Begriff der Geschichte”, en Gesammelte Schriften. Band I-2, hg. R. Tiedemann – H. Schweppenhäuser, Frankfurt: Suhrkamp, pp. 691-704 (citado como GS I-2d).
BENJAMIN, Walter (1991): “Anmerkungen der Herausgeber [Über den Begriff der Geschichte]”, en Gesammelte Schriften. Bd. I-3, hg. R. Tiedemann – H. Schweppenhäuser, Frankfurt: Suhrkamp, pp. 1228-1266 (citado como GS I-3).
BENJAMIN, Walter (1991): “Zur Kritik der Gewalt”, en Gesammelte Schriften. Band II-1, hg. R. Tiedemann – H. Schweppenhäuser, Frankfurt: Suhrkamp, pp. 179-203 (citado como GS II-1a).
BENJAMIN, Walter (1991): “Der Sürrealismus. Die letzte Momentaufnahme der europäische Intelligenz”, en Gesammelte Schriften. Band II-1, hg. R. Tiedemann – H. Schweppenhäuser, Frankfurt: Suhrkamp, pp. 295-310 (citado como GS II-1b).
BENJAMIN, Walter (1991): “Erfahrung und Armut”, en Gesammelte Schriften. Band II-1, hg. R. Tiedemann – H. Schweppenhäuser, Frankfurt: Suhrkamp, pp. 213-219 (citado como GS II-1c).
BENJAMIN, Walter (1991): “Johann Jakob Bachofen”, en Gesammelte Schriften. Band II-1, hg. R. Tiedemann – H. Schweppenhäuser, Frankfurt: Suhrkamp, pp. 219-233 (citado como GS II-1d).
BENJAMIN, Walter (1991): “Franz Kafka. Zur zehnten Wiederkehr seines Todestages”, en Gesammelte Schriften. Band II-2, hg. R. Tiedemann – H. Schweppenhäuser, Frankfurt: Suhrkamp, pp. 409-438 (citado como GS II-2a).
BENJAMIN, Walter (1991): “Franz Kafka: Beim Bau der Chinesischen Mauer”, en Gesammelte Schriften. Band II-2, hg. R. Tiedemann – H. Schweppenhäuser, Frankfurt: Suhrkamp, pp. 676-683 (citado como GS II-2b).
BENJAMIN, Walter (1991): “Anmerkungen der Herausgeber [Franz Kafka. Zur zehnten Wiederkehr seines Todestages]”, en Gesammelte Schriften. Bd. II-2, hg. R. Tiedemann – H. Schweppenhäuser, Frankfurt: Suhrkamp, pp. 1153-1276 (citado como GS II-2c).
BENJAMIN, Walter (1991): “Der Erzähler”, en Gesammelte Schriften. Band II-2, hg. R. Tiedemann – H. Schweppenhäuser, Frankfurt: Suhrkamp, pp. 438-465 (citado como GS II-2d).
BENJAMIN, Walter (1991): “Was ist das epische Theather?”, en Gesammelte Schriften. Band II-2, hg. R. Tiedemann – H. Schweppenhäuser, Frankfurt: Suhrkamp, pp. 519-539 (citado como GS II-2e).
BENJAMIN, Walter (1991): “Theorien des deutschen Faschismus”, en Gesammelte Schriften. Bd. III, hg. H. Tiedemann-Bartels, Frankfurt: Suhrkamp, pp. 238-250 (citado como GS IIIa).
BENJAMIN, Walter (1991): “Probleme der Sprachsoziologie”, en Gesammelte Schriften. Bd. III, hg. H. Tiedemann-Bartels, Frankfurt: Suhrkamp, pp. 452-480 (citado como GS IIIb).
BENJAMIN, Walter (1991): “Einbahnstra?e”, en Gesammelte Schriften. Bd. IV-1, hg. T. Rexroth, Frankfurt: Suhrkamp, pp. 83-148 (citado como GS IV-1).
BENJAMIN, Walter (1991): “Das Passagen-Werk”, Gesammelte Schriften. Band V, hg. R. Tiedemann, Frankfurt: Suhrkamp (citado como GS V).
FROMM, Waldemar (2008): “Kafka-Rezeption”, en Kafka-Handbuch. Leben–Werk–Wirkung, hg. B. Jagow – O. Jahrhaus, Göttingen: Vandenhoeck & Ruprecht, pp. 250-272.
GREIERT, Andreas (2019): “«Schamlosigkeit der Sumpfwelt». Über ein Motiv bei Walter Benjamin”, Weimarer Beiträge, 65 (2), pp. 199-223.
GROSS, Ruth V. (2018): “Early Critical Reception”, en Kafka in Context, ed. C. Duttlinger, Cambridge: Cambridge University Press, pp. 259-266.
HAMACHER, Werner (1996): “The Gesture in the Name: On Benjamin and Kafka”, en Premises. Essays on Philosophy and Literature from Kant to Celan, trad. P. Fenves, Stanford: Stanford University Press.
HARTUNG, Günter (2000): “Mythos”, Benjamins Begriffe, Band II, hg. M. Opitz – E. Wizisla, Frankfurt: Suhrkamp, pp. 552-572.
JAMESON, Fredric (1992): “Benjamin’s Readings”, Diacritics, 22 (3/4), pp. 19-34.
JAMESON, Fredric (2020): The Benjamin Files, London & New York: Verso.
KOCH, Hans-Gerd – MÜLLER, Michael (2002): Franz Kafka. Der Verschollene. Apparatband, Frankfurt: Fischer.
LIPCEN, Erika (2022): “Crisis de la transmisión y «narraciones sin verdad» en la lectura benjaminiana de Kafka”, Eikasía. Revista de Filosofía, 110, pp. 51-68.
MANDEL, Ernst (1979): El capitalismo tardío, México: Era.
MARTÍNEZ MATÍAS, Paloma (2026): “Capitalismo, fantasmagoría e historia: Walter Benjamin y el infierno de la modernidad”, Claridades, 18 (1) (en proceso de maquetación).
MAYER, Hans (1988): “Walter Benjamin and Franz Kafka: Report on a Constellation”, en On Walter Benjamin. Critical Essays and Recollections, ed. G. Smith, Massachusetts: The MIT Press, pp. 185-209.
MOSÈS, Stéphane (1997): El Ángel de la historia. Rosenzweig, Benjamin, Scholem, Madrid: Cátedra.
MÜLLER, Bernd (1996): “Denn es ist noch nichts geschehen”. Walter Benjamins Kafka Deutung, Köln: Böhlau.
ROSSI, Annunziata (2009): “J. J. Bachofen y el retorno de las Madres”, Acta Poética, 30 (1), pp. 273-293.
SCHOLEM, Geshom (ed.) (1987): Walter Benjamin. Gershom Scholem. Correspondencia 1933-1940, trad. R. Lupiani González, Madrid: Trotta.
SCHWEPPENHÄUSER, Hermann (hg.) (1981): Benjamin über Kafka: Texte, Briefzeugnisse, Aufzeichnungen, Frankfurt: Suhrkamp (citado como BK).
WITTE, Bernd (2002): Walter Benjamin. Una biografía, Barcelona: Gedisa.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Paloma Martínez Matías

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Authors who have publications with this journal accept the following terms:
1. Authors will retain their copyright and grant the journal the right of first publication of their work, which will be simultaneously subject to the License of recognition of Creative Commons CC BY-NC-SA 4.0 that allows third parties to share, redistribute and adapt the work provided it is for non-commercial purposes and its author and first publication in this journal is indicated.
2. Authors may adopt other non-exclusive distribution license agreements for the version of the published work (e.g., depositing it in an institutional electronic archive or publishing it in a monographic volume) provided that the initial publication in this journal is indicated.
3. Authors are permitted and encouraged to disseminate their work via the Internet (e.g., in institutional telematic archives or on their website) before and during the submission process, which can produce interesting exchanges and increase citations of the published work. (See The Effect of Open Access).
Data confidentiality
1. Constelaciones. Revista de Teoría Crítica guarantees that the data you send us will only be used to meet the requests made in this message.
2. Your data will not be passed on to third parties.
3. You may request that your data be removed from our records at any time.