¿La sociedad como una 'prisión al aire libre'? 'Crítica cultural y sociedad' como base de una estética de la interacción

Authors

  • Christine Resch Goethe Universität Frankfurt am Main

Keywords:

cultural criticism, Theodor W. Adorno, artwork, culture industry, immanent criticism, critique of ideology, aesthetics of interaction

Abstract

This paper analyses the different forms of cultural critique discussed by Adorno in his essay "Cultural Criticism and Society". A proper under­standing of the conditions of possibility of culture and art that Adorno offers to the shared thought and reflection in the aforementioned essay is put in relation to the pro­gramme of an aesthetics of interaction. The first section of the paper dissects the critical concepts of “Cultural Criticism and Society” in order to make understandable how they are made relevant to the interpretation of artefacts. With reference to cultural studies in the social sciences, which since the 1980s have increasingly emphasised readings and appropriations of culture(s), the aim in the second section is to take into account the whole context –production/trans­mis­sion/re­ception– for the analysis of cultural artefacts in order to reconstruct their so­cial meaning.

Downloads

Download data is not yet available.

References

ADORNO, Theodor W. (1949/51): “Kulturkritik und Gesellschaft”, en Gesam-melte Schriften, (Vol. 10). Rolf Tiedemann (ed.), Fráncfort: Suhrkamp, 11-30.

ADORNO, Theodor W. (1959): “Theorie der Halbbildung”, en Gesam¬melte Schrif-ten, (Vol. 8). Rolf Tiedemann (ed.), Fráncfort: Suhrkamp, 93-121.

ADORNO, Theodor W. (1966): “Über Tradition”, en Gesam¬melte Schriften, (Vol. 10). Rolf Tiedemann (ed.), Fráncfort: Suhrkamp, 330-336.

ADORNO, Theodor W. (1969): “Freizeit”, en Gesam¬melte Schriften, (Vol. 10). Rolf Tiedemann (ed.), Fráncfort: Suhrkamp, 645-655.

ADORNO, Theodor W. (1970): Ästhetische Theorie, en Gesam¬melte Schriften, (Vol. 7). Rolf Tiedemann (ed.), Fráncfort: Suhrkamp.

BOURDIEU, Pierre (1979/esp.: 1988): La distinción. Madrid: Taurus.

BÜRGER, Peter (1974/esp. 1987): Teoría de la vanguardia. Barcelona: Edicions 62.

CREMER-SCHÄFER, Helga (2019): “Kritik & Freundlichkeit”, Widersprüche 151, 39, März, 65-76.

HORKHEIMER, Max y Theodor W. ADORNO (1944/47) “Dialektik der Auf¬klä-rung. Philosophische Fragmente”, en: M. Horkheimer: Gesammelte Schrif¬ten, (Vol. 5). G. Schmid Noerr (ed.). Fráncfort: Fischer, 11-290

KIEDAISCH, Petra (1995) (ed.): Lyrik nach Auschwitz? Adorno und die Dichter. Stutt-gart: Reclam

KEMP, Wolfgang (2015): Der explizite Betrachter. Konstanz: konstanz university press.

MARCUSE, Herbert (1937): “Über den affirmativen Charakter der Kultur”, en Id.: Kultur und Gesellschaft I. Fráncfort: Suhrkamp, 56-101.

MARCUSE, Herbert (1977): “Die Permanenz der Kunst. Wider eine bestimmte mar¬xistische Ästhetik”, en Schriften, (Vol. 9), Springe: zu Klampen, 193-241.

NIEDERAUER, Martin (2014): Die Widerständigkeiten des Jazz. Sozialgeschichte und Improvisation unter den Imperativen der Kulturindustrie. Fráncfort: Peter Lang.

PETERSON, Richard A. (1992): “Understanding audience segmentation: from elite and mass to omnivore and univore”, Poetics 21(4), 243-258

RESCH, Christine (1999): Die Schönen Guten Waren. Die Kunstwelt und ihre Selbst-darsteller. Münster: Westfälisches Dampfboot

RESCH, Christine (2012): Schöner Wohnen: Zur Kritik von Bourdieus “feinen Unter-schieden”. Münster: Westfälisches Dampfboot

RESCH, Christine y Heinz STEINERT (2003): Die Widerständigkeit der Kunst. Ent-wurf einer Interaktionsästhetik. Münster: Westfälisches Dampfboot

RESCH, Christine und Heinz Steinert (2016): “Industria Cultural: Conflictos en torno a los medios de producción de la clase culta”, Constelaciones. Revista de Teoría Crítica, 3(3), 24–60.

RESCH, Christine (2022): Begriffs- und Wahrheitspolitiken Kritischer Theorie. Müns-ter: Westfälisches Dampfboot.

Downloads

Published

2022-12-31

How to Cite

Resch, C. . (2022). ¿La sociedad como una ’prisión al aire libre’? ’Crítica cultural y sociedad’ como base de una estética de la interacción. Constelaciones. Revista De Teoría Crítica, (14), 59–82. Retrieved from https://constelaciones-rtc.net/article/view/4976

Issue

No. 14 (2022): Crítica cultural y sociedad en un capitalismo de expectativas decrecientes

Section

Essays

License

Copyright (c) 2022 Christine Resch

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Authors who have publications with this journal accept the following terms:

1. Authors will retain their copyright and grant the journal the right of first publication of their work, which will be simultaneously subject to the License of recognition of Creative Commons CC BY-NC-SA 4.0 that allows third parties to share, redistribute and adapt the work provided it is for non-commercial purposes and its author and first publication in this journal is indicated.

2. Authors may adopt other non-exclusive distribution license agreements for the version of the published work (e.g., depositing it in an institutional electronic archive or publishing it in a monographic volume) provided that the initial publication in this journal is indicated.

3. Authors are permitted and encouraged to disseminate their work via the Internet (e.g., in institutional telematic archives or on their website) before and during the submission process, which can produce interesting exchanges and increase citations of the published work. (See The Effect of Open Access).

Data confidentiality

1. Constelaciones. Revista de Teoría Crítica guarantees that the data you send us will only be used to meet the requests made in this message.

2. Your data will not be passed on to third parties.

3. You may request that your data be removed from our records at any time.