A Comment on Samuel Beckett's What Where

Authors

  • Robert Hullot-Kentor

Keywords:

Samuel Beckett, What Where, Form

Abstract

An art work is a set of instructions for breaking a promise. The exact same instructions must no less stipulate this promise. This is incomparably the case in Samuel Beckett's work.Written for the stage soon after the completion of Beckett's major efforts for television and incorporating elements of it, What Where (1983) was his final work for the theater. Of all that might be said about the play, however, and there is considerably more to say, not a word of it proves ipso facto that it works on stage. As Beckett wrote his friend, the novelist Kay Boyle, 'Just finished a short piece—theatre—for the Graz Autumn Festival, to my dissatisfaction'. Samuel Beckett's last work for the theater was indeed a failure, but a failure of an extraordinarily high order. How the play could and did fail and all the same be the achievement it is, is the topic of the following commentary.

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References

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Published

2020-12-31

How to Cite

Hullot-Kentor, R. (2020). A Comment on Samuel Beckett’s What Where. Constelaciones. Revista De Teoría Crítica, 11(11-12), 4–31. Retrieved from https://constelaciones-rtc.net/article/view/3647