Final Repression. Adorno and Marcuse on the Antinomy of Progress
Keywords:
progress, freedom, repression, jouissance, Theodor W. Adorno, Herbert MarcuseAbstract
The essay reconstructs the antinomy between progress and repression in Adorno and Marcuse through Freud. Against linear historicism, it follows Benjamin’s messianic discontinuity and, with Adorno, reframes progress as resistance to the compulsion of domination and to the idolatry of history. Countering Marcuse’s promise of a historical culmination in which repressive progress is sublimated into freedom and play, the text questions the split between “basic” and “surplus” repression and the substantialization of libido. In dialogue with Lacan and Zupancic, it proposes understanding repression as an originary process that constitutes jouissance and twists historical time. Emancipation is thus relocated in identifying the specific knots where enjoyment and repression mutually sustain each other.
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References
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