Final Repression. Adorno and Marcuse on the Antinomy of Progress

Authors

  • Ray Brassier American University of Beirut

Keywords:

progress, freedom, repression, jouissance, Theodor W. Adorno, Herbert Marcuse

Abstract

The essay reconstructs the antinomy between progress and repression in Adorno and Marcuse through Freud. Against linear historicism, it follows Benjamin’s messianic discontinuity and, with Adorno, reframes progress as resistance to the compulsion of domination and to the idolatry of history. Countering Marcuse’s promise of a historical culmination in which repressive progress is sublimated into freedom and play, the text questions the split between “basic” and “surplus” repression and the substantialization of libido. In dialogue with Lacan and Zupancic, it proposes understanding repression as an originary process that constitutes jouissance and twists historical time. Eman­cipation is thus relocated in identifying the specific knots where enjoyment and repression mutually sustain each other.

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References

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MARCUSE, Herbert (1970b): “The End of Utopia”, en Five Lectures. Psychoanalysis, Politics, and Utopia, trad. de J. J. Saphiro y S. M. Weber, Londres: Allen Lane The Penguin Press, 62-86.

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ZUPANCIC, Alenka (2017): “Hegel and Freud: Between Aufhebung and Verneinung”, en Crisis and Critique, vol. 4 (1), 2017, 481-494.

Published

2025-12-31

How to Cite

Brassier, R. (2025). Final Repression. Adorno and Marcuse on the Antinomy of Progress. Constelaciones. Revista De Teoría Crítica, (17), 26–48. Retrieved from https://constelaciones-rtc.net/article/view/6024