Nada es ya lo contrario de nada: La sociedad del espectáculo de Guy Debord hoy

Authors

Keywords:

Guy Debord, Spectacle, Situationism, Critical theory, social critique

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References

ADORNO, Theodor W. (2005): Minima Moralia. Reflections from the Damaged Life, Londres: Verso.

BUNYARD, Tom (2018): Debord, Time and Spectacle: Hegelian Marxism and Situationist Theory, Leiden: Brill.

DEBORD, Guy (1998): Comments on the Society of the Spectacle, Londres: Verso.

DEBORD, Guy (1999): La sociedad del espectáculo, Valencia: Pre-textos.

GREEN, Dennis (2019): “Amazon is trying to make working in its warehouses like playing a video game”: Business Insider (22 de mayo): https://www.businessinsider.com/amazon-makes-game-warehouse-workers-tasks-2019-5?r=DE&IR=T%3E.

JAPPE, Anselm (1999): Guy Debord, Berkeley: University of California Press.

MARX, Karl (1976): The Poverty of Philosophy, en Marx and Engels Collected Works, vol. 6, Londres: Progress Publishers, 105-212.

MARX, Karl (1986): Economic Manuscripts of 1857-1868, en Marx and Engels Collected Works, vol. 28, Londres: Progress Publishers.

RUSSELL, Eric-John (2021): Spectacular Logic in Hegel and Debord: Why Everything is as it Seems, London: Bloomsbury.

Published

2022-12-31

How to Cite

Russell, E.-J. (2022). Nada es ya lo contrario de nada: La sociedad del espectáculo de Guy Debord hoy. Constelaciones. Revista De Teoría Crítica, (14), 426–434. Retrieved from https://constelaciones-rtc.net/article/view/4981